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“You’ll find it in many old blues tunes”: You need to learn how to solo over this chord progression
This is followed by the chords Eb7/Bb to D7/A, both with the 5th in the bass, which creates a warm sound. D7/A is the VI (six) chord, and I approached it from a half step, or one fret, above.
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Jazz guitar theory 101: 5 ways you can use tritone substitutions to jazz up your chord progressions
As the V chord, the A is the most likely candidate in our sights for substitution. Let’s make it a dominant 7th, then shift it up a tritone (#4/b5) to give us Eb7. Then let’s go even further ...