“I feel like you have to make some sort of contribution to the ghost story canon when you’re doing a new one. So we’re riffing on the haunted house idea,” Koepp says. “It’s not a scary ...

A new book - Revenge: The Inside Story of Trump's Return to Power by Politico reporter Alex Isenstadt - has revealed the extraordinary new details the Republican's team went to to protect him from ...

What could be a typical scary movie is elevated by the aesthetic choice to tell the story from the ghost’s point-of-view, so you see it drifting around the house, listening in on conversations ...

The tingly thriller “Presence” starts with a knockout premise: What if you told a ghost story from the perspective of the ghost? Each scene in Steven Soderbergh’s impeccably crafted film is ...

Maybe another movie has done it that I'm not aware of. This is a ghost story told entirely from the ghost's point of view: We see what the ghost sees. The ghost cannot leave the house, and so the ...

Presence, his excellent new film and his first real foray into the horror genre, is shot entirely from the perspective of a ghost who inhabits a house where a new family has moved in. In the hands ...

We can’t see the spirit in question — this is no “Ghost” — but we see what it sees ... and what it does. The opening scenes, which drift from window to window of the house, peering at ...

A mysterious Florida ghost town - where residents abandoned their homes 62 years ago - has suddenly attracted visitors once again. The lost town of Yukon - which was once full of paved streets ...

As with many ghost stories, the presence in “Presence ... still senses one last thing inside. Following the Presence to what was once the living room, she sees her son’s reflection in ...

With the audience haunting a sad family through a spirit's POV, Steven Soderbergh's latest experiment is ultimately about the never-ending appeal of voyeurism.