If theater-goers are left to wonder whether Iago hates Otello because he is a racist or because he was skipped for promotion, opera patrons are rewarded with his aria.

Pascu’s fantastic performance masterfully kept guests on the edge of these said seats and was equally rich with such small ...

When Jonas Kaufmann performed Otello at the Royal Opera House (with Marco Vratogna as ... after centuries of Ottoman rule like the land of Israel, that was an unplanned connection, and “the ...