If theater-goers are left to wonder whether Iago hates Otello because he is a racist or because he was skipped for promotion, opera patrons are rewarded with his aria.
Continuing what has become a tradition, this is another production that originated at Berkshire’s Watermill Theatre making use of the talents of actor-musicians. There’s an off-stage drum kit ...
Jenůfa is playing at the Royal Opera House, Covent Garden until 1 Febuary. Box office: rbo.org.uk or 020 7304 4000 ...
A five-year-old girl has died in the Royal Hobart Hospital after she was left fighting for her life following a deadly house fire at Rokeby on Sunday. Jordan was taken to the Royal Hobart Hospital ...
Highgrove House. In a post shared by Highgrove Garden's official Instagram account, a never-before-seen picture shows a beautiful winter scene at the royal home. Complete with a whimsical arched ...
Now South African playwright Amy Jephta has added a sharply focused comedy to the canon. In A Good House, a co-production between the Royal Court, Bristol Old Vic and Market Theatre of Johannesburg, ...
A new portrait of the Duchess of Edinburgh was released on Saturday to mark her upcoming 60th birthday. The stunning picture was shot by fashion and portrait photographer Christina Ebenezer and ...
Those who frequent downtown Wilmington can tell you that The Grand is more than a collection of theaters: The Grand Opera House (Copeland Hall), the baby grand, and, as of 2015, The Playhouse on ...
When Claus Guth’s new Royal Opera staging of Janáček’s opera Jenůfa emerged from the delays of the lockdown in 2021, it had a mixed reception. Taking away reference to the local ...
It was nicely appropriate that one of the ovations on first night should be for conductor Jakub Hrusa, who was making his maiden appearance as the new music director of the Royal Opera House.
Watch Erin Morley, Rihab Chaieb, Pene Pati, and Luca Salsi sing an excerpt from the Act III quartet in a recent performance. Reigning Verdi baritone Quinn Kelsey reprises his devastating ...
Guth’s symbolic, psychologically probing production seems more potent than ever with Hrusa at the helm. The musical directorship of the Royal Opera is, on this showing, in safe hands.
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