D-3 is an uncompressed composite digital video format invented at NHK and introduced commercially by Panasonic. It was launched in 1991 to compete with Ampex's D-2.

D-3 is an uncompressed composite digital video tape format introduced by Panasonic in 1991 to compete with Ampex's D-2. Like D-2, the composite video signal is sampled at four times the color subcarrier frequency, with eight bits per sample.

D-3 is an uncompressed composite videocassette format developed by NHK and introduced commercially by Panasonic. It was made to replace the one-inch tape formats within NHK at the time. The D-3 format was launched in 1991, and it was intended to compete with D-2, developed by Ampex, which was...

The D-3 was introduced by Panasonic in 1991 in order to compete with Ampex's D-2. It has the same sampling rate as the D-2 with the main difference being the smaller shell size. The D-3's biggest claim to fame was that it was the archival digital video tape of choice for the BBC, who migrated their analogue video tape collections to the format ...

D-3 is an uncompressed composite digital video format invented at NHK and introduced commercially by Panasonic. It was launched in 1991 to compete with Ampex's D-2.

D-3 o D3 es un formato de videocassette de video digital sin compresión desarrollado por Panasonic a petición de la televisión japonesa NHK. Introducido comercialmente en 1991 para competir con el D-2 de la compañía Ampex además de con los más extendidos magnetoscopios profesionales analógicos.

D-3 is an uncompressed composite digital video videocassette format invented at NHK and introduced commercially by Panasonic. It was launched in 1991 to compete with Ampex's D-2. D-3 uses half-inch metal particle tape at 83.88 mm/s (compare to D-2's 19 mm and 131.7 mm/s).

A high quality composite digital format. It can be played on D-5 machines, but D-3 is available in a camcorder format.

O D-3 é um formato de vídeo digital não-comprimido gravado em fita magnética (ou videoteipe) inventado pela NHK, e introduzido no mercado comercial pela Panasonic em 1991, para competir com o formato D-2 da empresa americana Ampex Data Systems Corporation e, [1] para ser uma alternativa de baixo custo para a gravação de mídia digital. [2]

A VTR standard using 1/2” tape cassettes for recording digitised composite (coded) PAL or NTSC signals sampled at 8 bits. Cassettes are available for 50 to 245 minutes.