Sparagmos is a central theme in Dimitris Lyacos's The First Death, which recounts the torments of a mutilated protagonist stranded on an island. The book draws upon the dismemberment of Dionysus as well as ancient Greek rituals and practices.

Omophagia, or omophagy (from Greek ωμός "raw") is the eating of raw flesh. The term is of importance in the context of the cult worship of Dionysus. Omophagia is a large element of Dionysiac myth; in fact, one of Dionysus' epithets is Omophagos "Raw-Eater". [1] .

Oct 2, 2018 · The sparagmos is the model for iconoclasm, but it is also the model for sacrifice and popular, sacrificial modes of art. The key difference is that iconoclastic art is self-conscious and negates itself rather than simply purging resentment by means of a convenient scapegoat.

Apr 25, 2021 · A sparagmos rite, the ritual dismemberment of a sacrificial animal, took place once the procession was completed. The sparagmos also has its foundations in the mythology of the god, like many other Dionysiac rituals.

What does the noun sparagmos mean? There is one meaning in OED's entry for the noun sparagmos . See ‘Meaning & use’ for definition, usage, and quotation evidence.

SPARAGMOS definition: the tearing to pieces of a live victim , as a bull or a calf , by a band of bacchantes in... | Meaning, pronunciation, translations and examples

Apr 13, 2023 · sparagmos (n.)ritual death of a hero in tragedy or myth, 1913, from Greek sparagmos, literally "tearing, rending," related to sparassein "to rip, tear, shred, attack," a word of uncertain origin.

the tearing to pieces of a live victim, as a bull or a calf, by a band of bacchantes in a Dionysian orgy. The miscreants who enact the sparagmos of the heroine by tearing her into a hundred …

But Euripides’ sparagmos still has a significant mythic power, as its widespread popularity shows. Euripides, predictably, is given great honor after his death: Sophocles appears at the theater dressed in black and has his actors perform crownless; and now the Athenians weep (20).

Abstract: This article explores Thomas Hobbes’s political translations of Euripides’s Medea and, particularly, his representation of the Dionysian ritual of killing and dismembering a sacrificial victim (sparagmos).