More than thirty years later, with new funding and film technology, Su Huiyu has re-created the film to call together the differently gendered bodies and subcultures of Taiwan’s diverse society. The four channel piece can be seen as a re-shooting, a re-narration of the original 1985 version, or the next leg of its journey.

Revenge Scene s (Su Hui-Yu & Cheng Hsien-Yu), Digital Art Center Taipei, Taipei, Taiwan. Xindian Boys Part 4- The Untitled Year, VT Artsalon, Taipei, Taiwan. Reframe: Fatal & Fallen, Asian Film Archive, Singapore. Open Media Art Festival, Oil Tank Culture Park, Seoul, Korea. 2020 2 nd Chroniques- the Biennale of Digital Imagination, Marseille ...

Su Hui-Yu. Toggle Navigation. Home; About; Works; Press / Review; Contact; The White Waters. Multi-channel installation/live art, 2019/2020. “Critical Point Theater Phenomenon” was established in the late 1980s by TIAN Chi-Yuan and others.As the first publicly documented college student with AIDS, TIAN and Critical Point not only launched a ...

Revenge Scenes by artists Su Hui-Yu and Cheng Hsien-Yu can be considered as a live art and installation work developed from Su’s earlier work, The Women’s Revenge. The work utilizes live streaming, augmented reality, and machine learning among other techniques, to lead the audience back into the history of social realism films and (female ...

Su Hui-Yu. Toggle Navigation. Home; About; Works; Press / Review; Contact; Future Shock. Three channel installation, 2019. In 1970, futurist Alvin Toffler’s iconic work Future Shock was published. One year later, a translation hit the market in Taiwan, thus introducing the writer’s theories to readers of Chinese. The premise of the book can ...

More than thirty years later, with new funding and film technology, Su Huiyu has re-created the film to call together the differently gendered bodies and subcultures of Taiwan’s diverse society. The four channel piece can be seen as a re-shooting, a re-narration of the original 1985 version, or the next leg of its journey.

In this video work, Su Hui-tu attempts take the personal experiences of volunteers who took the sleeping pill, and transform them into a shareable artistic experience.

In continuation of Su’s creative context of “re-shooting” in recent years, The Women’s Revenge uses Taiwanese exploitation movies as a starting point to reexamines the problems of body regulation, seeking social novelty, modern discomforts and mediatized body.

1972, Toffler Multi channel installation, 2022 In […]

Rethinking Gender and the Body: In Conversation With Su Hui-Yu (Naima Morelli, COBOSocial)