By contextu-alizing the Dresden plaster cast with other ancient Venus sculptures and textual sources, this article aims to show that the Venus of Stockholm was most likely an elaborate and mirror-reversed imitation made in its entirety in the 17th or 18th century.

A significant collection of Swedish sculpture can be seen in the Orangery, including works by Johan Tobias Sergel and Carl Milles. These sculptures are part of the National Museum's collections, and are on permanent display in the Orangery Museum.

Nov 6, 2023 · By contextualizing the Dresden plaster cast with other ancient Venus sculptures and textual sources, this article aims to show that the Venus of Stockholm was most likely an elaborate and mirror-reversed imitation made in its entirety in the 17th or 18th century.

Venus fit for a king King Gustav III (1771-92) was the Swedish regent who personified the elegant French style of the 18th century. In the Pillared Hall in the Royal Palace, I found this marble Venus, said to bear a striking resemblance to one of the king’s favorite court ladies.

For the Pillar Hall at the Royal Palace, Gustav III ordered an ancient replica, Venus aux belles fesses. The love goddess’ head, though, resembled Ulla von Höpken, Duke Fredrik Adolf’s former mistress.

According to the myth, Venus was born forth from the froth of the sea and brought ashore in a shell. She is the goddess of love. The sculpture was made as a sketch for a fountain which was to be placed in front of the Swedish Academy in Stockholm.

Mar 5, 2018 · The centre section depicts the lovers Mars and Venus, and the painted door lintels show scenes from the history of Alexander the Great by Jean Restout. The canopy is Italian Renaissance embroidery, and came to Sweden with King …

Oct 1, 2021 · Download this stock image: October 1, 2021, Stockholm, Stockholm, Sweden: A replica of a statue of the goddess Venus by the sculptor Johan Tobias Serge in the Pillared Hall at Sweden's Royal Palace in Stockholm. The statue was commissioned by King Gustav III and the face on the statue is said to resemble that of a lady in waiting during his tenure.

Venus is the Roman equivalent of the Greek goddess Aphrodite. She holds the apple that Paris, the naked young man, gave her as a prize in a beauty contest. Her son Amor, the god of love, stands at her feet. The sculpture has great similarities with Venus de Milo, found on the Greek island of Melos in 1820. Fogelberg had seen it in Rome.

The inventory books of the Skulpturensammlung (Sculpture Collection) in the Staatliche Kunstsammlungen Dresden (Dresden State Art Collections, SKD) mention a plaster cast of a Venus sculpture, moulded from the marble so-called Venus of Stockholm.